The World of Bartók
Chicago Symphony Orchestra、Tokyo String Quartet、Béla Bartók
2020-09-26
专辑简介
专辑曲目
1
Bartók - Six Rumanian Folk Dances, Sz 56
Andor Foldes
2
Bartók - Allegro Barbaro, BB 63, Sz. 49
Andor Foldes
3
Bartók - Sonatina Over Themes Of Peasants From Transsylvania, Sz 55 (ソナチネ Sz 55|ソナチネ)
Andor Foldes
4
Dance Suite, Sz. 77 - I. Moderato
Chicago Symphony Orchestra、Pierre Boulez
5
Dance Suite, Sz. 77 - II. Allegro molto
Chicago Symphony Orchestra、Pierre Boulez
6
Dance Suite, Sz. 77 - III. Allegro vivace
Chicago Symphony Orchestra、Pierre Boulez
7
Dance Suite, Sz. 77 - IV. Molto tranquillo
Chicago Symphony Orchestra、Pierre Boulez
8
Dance Suite, Sz. 77 - V. Comodo
Chicago Symphony Orchestra、Pierre Boulez
9
Dance Suite, Sz. 77 - VI. Finale (Allegro)
Chicago Symphony Orchestra、Pierre Boulez
10
Piano Concerto No. 1, BB 91, Sz. 83 - Bartók: Piano Concerto No. 1, BB 91, Sz. 83 - I. Allegro moderato - Allegro (1. Allegro moderato - Allegro)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
11
Piano Concerto No. 1, BB 91, Sz. 83 - II. Andante (2. Andante)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
12
Piano Concerto No. 1, BB 91, Sz. 83 - III. Allegro molto (3. Allegro molto)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
13
Piano Concerto No. 2, BB 101, Sz. 95 - I. Allegro (1. Allegro)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
14
Piano Concerto No. 2, BB 101, Sz. 95 - Bartók: Piano Concerto No. 2, BB 101, Sz. 95 - II. Adagio - Più adagio - Presto (2. Adagio - Più adagio - Presto)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
15
Piano Concerto No. 2, BB 101, Sz. 95 - III. Allegro molto (3. Allegro molto)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
16
Piano Concerto No. 3, BB 127, Sz. 119 - I. Allegretto (1. Allegretto)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
17
Piano Concerto No. 3, BB 127, Sz. 119 - II. Adagio religioso (2. Adagio religioso)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
18
Piano Concerto No. 3, BB 127, Sz. 119 - III. Allegro vivace (3. Allegro vivace)
Geza Anda、Radio-Symphonie-Orchester Berlin、Ferenc Fricsay
19
Four Orchestral Pieces Op. 12 (Sz 51) - I. Preludio (前奏曲: Moderato|ゼンソウキョク)
Chicago Symphony Orchestra、Pierre Boulez
20
Four Orchestral Pieces Op. 12 (Sz 51) - II. Scherzo: Allegro (スケルツォ: Allegro|スケルツォ)
Chicago Symphony Orchestra、Pierre Boulez
21
Four Orchestral Pieces Op. 12 (Sz 51) - III. Intermezzo: Moderato (間奏曲: Moderato|カンソウキョク)
Chicago Symphony Orchestra、Pierre Boulez
22
Four Orchestral Pieces Op. 12 (Sz 51) - IV. Marcia funebre: Maestoso (葬送行進曲: Maestoso|ソウソウコウシンキョク)
Chicago Symphony Orchestra、Pierre Boulez
23
Concerto for Orchestra, Sz. 116 - Bartók: Concerto for Orchestra, Sz. 116 - I. Introduzione (Andante non troppo - Allegro vivace) (第1楽章: 序章 (Andante non troppo - Allegro vivace - Tempo I)|ダイ１ガクショウ)
Chicago Symphony Orchestra、Pierre Boulez
24
Concerto for Orchestra, Sz. 116 - II. Giuoco della coppie (Allegretto scherzando) (第2楽章: 対の遊び (Allegretto scherzando)|ダイ２ガクショウ)
Chicago Symphony Orchestra、Pierre Boulez
25
Concerto for Orchestra, Sz. 116 - III. Elegia (Andante, non troppo) (第3楽章: 悲歌 (Andante, non troppo)|ダイ３ガクショウ)
Chicago Symphony Orchestra、Pierre Boulez
26
Concerto for Orchestra, Sz. 116 - IV. Intermezzo interrotto (Allegretto) (第4楽章: 中断された間奏曲 (Allegretto)|ダイ４ガクショウ)
Chicago Symphony Orchestra、Pierre Boulez
27
Concerto for Orchestra, Sz. 116 - Bartók: Concerto for Orchestra, Sz. 116 - V. Finale (Pesante - Presto) (第5楽章: 終曲 (Pesante - Presto)|ダイ５ガクショウ)
Chicago Symphony Orchestra、Pierre Boulez
28
2 Pictures, (Op.10) Sz. 46 - In voller Blüte
Chicago Symphony Orchestra、Pierre Boulez
29
2 Pictures, (Op.10) Sz. 46 - Dorftanz
Chicago Symphony Orchestra、Pierre Boulez
30
Hungarian Sketches, Sz. 97 - I. An Evening In The Village
Chicago Symphony Orchestra、Pierre Boulez
31
Hungarian Sketches, Sz. 97 - II. Bear Melody
Chicago Symphony Orchestra、Pierre Boulez
32
Hungarian Sketches, Sz. 97 - III. Melody
Chicago Symphony Orchestra、Pierre Boulez
33
Hungarian Sketches, Sz. 97 - IV. Slightly Tipsy
Chicago Symphony Orchestra、Pierre Boulez
34
Hungarian Sketches, Sz. 97 - V. Swineherd's Dance
Chicago Symphony Orchestra、Pierre Boulez
35
Divertimento for Strings, Sz. 113 - I. Allegro non troppo
Chicago Symphony Orchestra、Pierre Boulez
36
Divertimento for Strings, Sz. 113 - II. Molto adagio
Chicago Symphony Orchestra、Pierre Boulez
37
Divertimento for Strings, Sz. 113 - III. Allegro assai
Chicago Symphony Orchestra、Pierre Boulez
38
Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115) - Bartók: Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115) - I. Assai lento - Allegro molto (第1楽章: Assai lento|アッサイレント)
Pierre-Laurent Aimard、Tamara Stefanovich、Neil Percy、Nigel Thomas、London Symphony Orchestra、Pierre Boulez
39
Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115) - II. Lento ma non troppo (第2楽章: Lento, ma non troppo|レント、マノントロッポ)
Pierre-Laurent Aimard、Tamara Stefanovich、Neil Percy、Nigel Thomas、London Symphony Orchestra、Pierre Boulez
40
Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115) - III. Allegro ma non troppo (第3楽章: Allegro non troppo|アレグロノントロッポ)
Pierre-Laurent Aimard、Tamara Stefanovich、Neil Percy、Nigel Thomas、London Symphony Orchestra、Pierre Boulez
41
Violin Concerto No. 1, BB 48a (Op. posth), Sz. 36 - Bartók: Violin Concerto No. 1, BB 48a (Op. posth) , Sz. 36 - I. Andante sostenuto (第1楽章: Andnate sostenuto|アンダンテソステヌート)
Gidon Kremer、Berliner Philharmoniker、Pierre Boulez
42
Violin Concerto No. 1, BB 48a (Op. posth), Sz. 36 - Bartók: Violin Concerto No. 1, BB 48a (Op. posth) , Sz. 36 - II. Allegro giocoso (第2楽章: Allegro giocoso|アレグロジョコーソ)
Gidon Kremer、Berliner Philharmoniker、Pierre Boulez
43
Concerto For Viola And Orchestra, Op. Post. - Version: Tibor Serly - Bartók: Concerto For Viola And Orchestra, Op. Post. - Version: Tibor Serly - I. Moderato - Lento parlando (第1楽章: Moderato - Lento parlando|モデラート)
Yuri Bashmet、Berliner Philharmoniker、Pierre Boulez
44
Concerto For Viola And Orchestra, Op. Post. - Version: Tibor Serly - Bartók: Concerto For Viola And Orchestra, Op. Post. - Version: Tibor Serly - II. Adagio religioso - Allegretto (第2楽章: Adagio religioso - Allegretto|アダージョレリジョーソ)
Yuri Bashmet、Berliner Philharmoniker、Pierre Boulez
45
Concerto For Viola And Orchestra, Op. Post. - Version: Tibor Serly - III. Allegro vivace (第3楽章: Allegro vivace|アレグロビバーチェ)
Yuri Bashmet、Berliner Philharmoniker、Pierre Boulez
46
Violin Concerto No. 2, Sz.112 - I. Allegro non troppo
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
47
Violin Concerto No. 2, Sz.112 - II. Andante tranquillo
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
48
Violin Concerto No. 2, Sz.112 - III. Allegro molto
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
49
Rhapsody No. 1 For Violin And Orchestra, Sz. 87 - I. Lassú: Moderato
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
50
Rhapsody No. 1 For Violin And Orchestra, Sz. 87 - II. Friss: Allegretto moderato
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
51
Rhapsody For Violin And Orchestra No. 2 Sz 90 - I. Lassú: Moderato
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
52
Rhapsody For Violin And Orchestra No. 2 Sz 90 - II. Friss: Allegro moderato
Gil Shaham、Chicago Symphony Orchestra、Pierre Boulez
53
Cantata Profana, BB.100, Sz. 94 - The Nine Splendid Stags - I. Molto moderato
John Aler、John Tomlinson、Chicago Symphony Orchestra、Pierre Boulez、Chicago Symphony Chorus
54
Cantata profana, BB.100, Sz. 94 - The Nine Splendid Stags - II. Andante
John Aler、John Tomlinson、Chicago Symphony Orchestra、Pierre Boulez、Chicago Symphony Chorus
55
Cantata Profana, BB.100, Sz. 94 - The Nine Splendid Stags - III. Moderato
John Aler、John Tomlinson、Chicago Symphony Orchestra、Pierre Boulez、Chicago Symphony Chorus
56
The Wooden Prince, Sz. 60 (Op. 13) - Introduction
Chicago Symphony Orchestra、Pierre Boulez
57
The Wooden Prince, Sz. 60 (Op. 13) - 1st Dance: Dance of the Princess in the Forest
Chicago Symphony Orchestra、Pierre Boulez
58
The Wooden Prince, Sz. 60 (Op. 13) - 2nd Dance: Dance of the Trees
Chicago Symphony Orchestra、Pierre Boulez
59
The Wooden Prince, Sz. 60 (Op. 13) - 3rd Dance: Dance of the Waves
Chicago Symphony Orchestra、Pierre Boulez
60
The Wooden Prince, Sz. 60 (Op. 13) - 4th Dance: Dance of the Princess with the Wooden Doll
Chicago Symphony Orchestra、Pierre Boulez
61
The Wooden Prince, Sz. 60 (Op. 13) - 5th Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance
Chicago Symphony Orchestra、Pierre Boulez
62
The Wooden Prince, Sz. 60 (Op. 13) - 6th Dance: She Tries to Attract the Real Prince with Her Seductive Dancing
Chicago Symphony Orchestra、Pierre Boulez
63
The Wooden Prince, Sz. 60 (Op. 13) - 7th Dance: Dismayed, the Princess Attempts to Hurry after the Prince, but the Forest Bars Her Way
Chicago Symphony Orchestra、Pierre Boulez
64
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Allegro: Introduction (Bartok: Allegro: Introduction [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ａｌｌｅｇｒｏ： Ｉｎｔｒｏｄｕｃｔｉｏｎ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
65
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Moderato: First Decoy Game (Bartok: Moderato: First decoy game [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ｍｏｄｅｒａｔｏ： Ｆｉｒｓｔ ｄｅｃｏｙ ｇａｍｅ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
66
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Second Decoy Game (Bartok: Second decoy game [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ｓｅｃｏｎｄ ｄｅｃｏｙ ｇａｍｅ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
67
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Sostenuto: Third Decoy Game (Bartok: Sostenuto: Third decoy game [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ｓｏｓｔｅｎｕｔｏ： Ｔｈｉｒｄ ｄｅｃｏｙ ｇａｍｅ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
68
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Maestoso: The Mandarin Enters (Bartok: Maestoso: The Mandarin enters [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ｍａｅｓｔｏｓｏ： Ｔｈｅ Ｍａｎｄａｒｉｎ ｅｎｔｅｒｓ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
69
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Allegro: The Girl Sinks Down to Embrace Him (Bartok: Allegro: The girl sinks down to embrace him [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ａｌｌｅｇｒｏ： Ｔｈｅ ｇｉｒｌ ｓｉｎｋｓ ｄｏｗｎ ｔｏ ｅｍｂｒａｃｅ ｈｉｍ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
70
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Sempre vivo: The Tramps Leap Out (Bartok: Sempre vivo: The tramps leap out [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ｓｅｍｐｒｅ ｖｉｖｏ： Ｔｈｅ ｔｒａｍｐｓ ｌｅａｐ ｏｕｔ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
71
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Adagio: Suddenly The Mandarin's Head Appears (Bartok: Adagio: Suddenly the Mandarin's head appears [The Miraculous Mandarin, BB 82, Op.19 (Sz.73)]|Ｂａｒｔｏｋ： Ａｄａｇｉｏ： Ｓｕｄｄｅｎｌｙ ｔｈｅ Ｍａｎｄａｒｉｎ’ｓ ｈｅａｄ ａｐｐｅａｒｓ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏｐ．１９ （Ｓｚ．７３）］)
Chicago Symphony Orchestra、Pierre Boulez
72
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Agitato: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin (Bartok: Agitato: Again, the frightened tramps discuss how to eliminate the Mandarin [The Miraculous|Ｂａｒｔｏｋ： Ａｇｉｔａｔｏ： Ａｇａｉｎ， ｔｈｅ ｆｒｉｇｈｔｅｎｅｄ ｔｒａｍｐｓ ｄｉｓｃｕｓｓ ｈｏｗ ｔｏ ｅｌｉｍｉｎａｔｅ ｔｈｅ Ｍａｎｄａｒｉｎ ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ )
Chicago Symphony Orchestra、Pierre Boulez
73
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Molto Moderato: The Body of the Mandarin Begins to Glow with a Greenish Blue Light (Bartok: Molto moderato: The body of the Mandarin begins to glow with a greenish blue light [The Mira|Ｂａｒｔｏｋ： Ｍｏｌｔｏ ｍｏｄｅｒａｔｏ： Ｔｈｅ ｂｏｄｙ ｏｆ ｔｈｅ Ｍａｎｄａｒｉｎ ｂｅｇｉｎｓ ｔｏ ｇｌｏｗ ｗｉｔｈ ａ ｇｒｅｅｎｉｓｈ ｂｌｕｅ ｌｉｇｈｔ ［Ｔｈｅ Ｍｉｒａ)
Chicago Symphony Orchestra、Pierre Boulez、Chicago Symphony Chorus、Duain Wolfe
74
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Più mosso - Vivo - She Resists No Longer - They Embrace. (Bartok: Piu mosso - Vivo - She resists no longer, - they embrace. [The Miraculous Mandarin, BB 82, O|Ｂａｒｔｏｋ： Ｐｉｕ ｍｏｓｓｏ ‐ Ｖｉｖｏ ‐ Ｓｈｅ ｒｅｓｉｓｔｓ ｎｏ ｌｏｎｇｅｒ， ‐ ｔｈｅｙ ｅｍｂｒａｃｅ． ［Ｔｈｅ Ｍｉｒａｃｕｌｏｕｓ Ｍａｎｄａｒｉｎ， ＢＢ ８２， Ｏ)
Chicago Symphony Orchestra、Pierre Boulez
75
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106) - I. Andante tranquillo (第1楽章: Andante tranquillo|１)
Chicago Symphony Orchestra、Pierre Boulez
76
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106) - II. Allegro (第2楽章: Allegro|２)
Chicago Symphony Orchestra、Pierre Boulez
77
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106) - III. Adagio (第3楽章: Adagio|３)
Chicago Symphony Orchestra、Pierre Boulez
78
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106) - IV. Allegro molto (第4楽章: Allegro molto|４)
Chicago Symphony Orchestra、Pierre Boulez
79
String Quartet No. 1, Sz. 40 (Op. 7) - 1. Lento (1．LENTO - ATTACCA:|１．ＬＥＮＴＯ － ＡＴＴＡＣＣＡ：)
Tokyo String Quartet
80
String Quartet No. 1, Sz. 40 (Op. 7) - 2. Allegretto (2．POCO A POCO ACCELERANDO AL ALLEGRETTO -|２．ＰＯＣＯ Ａ ＰＯＣＯ ＡＣＣＥＬＥＲＡＮＤＯ ＡＬ ＡＬＬＥＧＲＥＴＴＯ)
Tokyo String Quartet
81
String Quartet No. 1, Sz. 40 (Op. 7) - Bartók: String Quartet No. 1, Sz. 40 (Op. 7) - 3. Introduzione. Allegro - Allegro vivace (INTRODUZIONE.ALLEGRO - ATTACCA:3.ALLEGRO|ＩＮＴＲＯＤＵＺＩＯＮＥ．ＡＬＬＥＧＲＯ － ＡＴＴＡＣＣＡ：３．ＡＬＬＥＧＲＯ)
Tokyo String Quartet
82
String Quartet No. 3, Sz. 85 - 1. Prima parte (Moderato) (PRIMA PARTE: MODERATO - ATTACCA:|ＰＲＩＭＡ ＰＡＲＴＥ： ＭＯＤＥＲＡＴＯ － ＡＴＴＡＣＣＡ：)
Tokyo String Quartet
83
String Quartet No. 3, Sz. 85 - 2. Seconda parte (Allegro) (SECOND PARTE: ALLEGRO - ATTACCA:|ＳＥＣＯＮＤ ＰＡＲＴＥ： ＡＬＬＥＧＲＯ － ＡＴＴＡＣＣＡ：)
Tokyo String Quartet
84
String Quartet No. 3, Sz. 85 - 3. Ricapitolazione della prima parte (Moderato) (CODA: ALLEGRO MOLTO|ＣＯＤＡ： ＡＬＬＥＧＲＯ ＭＯＬＴＯ)
Tokyo String Quartet
85
String Quartet No. 4, Sz. 91 - 1. Allegro (1．ALLEGRO|１．アレグロ)
Tokyo String Quartet
86
String Quartet No. 4, Sz. 91 - 2. Prestissimo, con sordino (2．PRESTISSIMO, CON SORDINO|２．ＰＲＥＳＴＩＳＳＩＯＭＯ， ＣＯＮ ＳＯＲＤＩＮＯ)
Tokyo String Quartet
87
String Quartet No. 4, Sz. 91 - 3. Non troppo lento (3．NON TROPPO LENTO|３．ＮＯＮ ＴＲＯＰＰＯ ＬＥＮＴＯ)
Tokyo String Quartet
88
String Quartet No. 4, Sz. 91 - 4. Allegretto pizzicato (4．ALLEGRETTO PIZZICATO|４．ＡＬＬＥＧＲＥＴＴＯ ＰＩＺＺＩＣＡＴＯ)
Tokyo String Quartet
89
String Quartet No. 4, Sz. 91 - 5. Allegro molto (5．ALLEGRO MOLTO|５．ＡＬＬＥＧＲＯ ＭＯＬＴＯ)
Tokyo String Quartet
90
String Quartet No. 5, Sz. 102 - 1. Allegro (1．ALLEGRO|１．アレグロ)
Tokyo String Quartet
91
String Quartet No. 5, Sz. 102 - 2. Adagio molto (2．ADAGIO MOLTO|２．ＡＤＡＧＩＯ ＭＯＬＴＯ)
Tokyo String Quartet
92
String Quartet No. 5, Sz. 102 - 3. Scherzo. Alla bulgarese (3．SCHERZO. ALLA BULGARESE|３．ＳＣＨＥＲＺＯ．ＡＬＬＡ ＢＵＬＧＡＲＥＳＥ)
Tokyo String Quartet
93
String Quartet No. 5, Sz. 102 - 4. Andante (4．ANDANTE|４．ＡＮＤＡＮＴＥ)
Tokyo String Quartet
94
String Quartet No. 5, Sz. 102 - 5. Finale. Allegro vivace (5．FINALE. ALLEGRO VIVACE|５．ＦＩＮＡＬＥ．ＡＬＬＥＧＲＯ ＶＩＶＡＣＥ)
Tokyo String Quartet
95
String Quartet No. 2, Sz. 67 (Op. 17) - 1. Moderato (1．MODERATO|１．ＭＯＤＥＲＡＴＯ)
Tokyo String Quartet
96
String Quartet No. 2, Sz. 67 (Op. 17) - 2. Allegro molto capriccioso (2．ALLEGRO MOLTO CAPRICCIOSO|２．ＡＬＬＥＧＲＯ ＭＯＬＴＯ ＣＡＰＲＩＣＣＩＯＳＯ)
Tokyo String Quartet
97
String Quartet No. 2, Sz. 67 (Op. 17) - 3. Lento (3．LENTO|３．ＬＥＮＴＯ)
Tokyo String Quartet
98
String Quartet No. 6, Sz. 114 - Bartók: String Quartet No. 6, Sz. 114 - 1. Mesto - Vivace (1．MESTO - PIU MOSSO, PESANTE - VIVACE|１．ＭＥＳＴＯ － ＰＩＵ ＭＯＳＳＯ， ＰＥＳＡＮＴＥ － ＶＩＶＡＣＥ)
Tokyo String Quartet
99
String Quartet No. 6, Sz. 114 - Bartók: String Quartet No. 6, Sz. 114 - 2. Mesto - Marcia (2．MESTO - MARCIA|２．ＭＥＳＴＯ － ＭＡＲＣＩＡ)
Tokyo String Quartet
100